Search

Keep in touch

Mail Chimp subscribe form goes here.


ACO – Beethoven 250

Thu 12 Nov

Beethoven 250 will now be held on Thu 12 Nov 2020.

All current tickets purchased will be honoured for the new season dates.  Alternatively, you can opt for a refund. If you would like to contact the box office you can call on 02 4224 5999.

Allocation exhausted.

Tickets for this event have sold out. We apologise for any inconvenience.

250 years of Beethoven, in six chapters and seven composers.

What might link Mozart and Vaughan Williams? Schubert and George Crumb? Signposting every 50 years from Beethoven’s birth with a significant composition of each era, this is an opportunity to grasp the sheer magnitude of Beethoven’s enduring influence and the development of music over the past 250 years.

Mozart met the young Beethoven in 1787 when he was sent to study in Vienna by wealthy benefactors in Bonn. However, by that time, Beethoven was already so immersed in Mozart’s music, he even worried that he may have unintentionally imitated him. For Schubert, who composed his ‘Quartettsatz in C minor’ 50 years after Beethoven’s birth, the challenge was how to emerge from the vast shadow cast by Beethoven, in particular his imposing legacy on the string quartet.

If the lightness of the ‘Pizzicato Polka’, co-composed by the brothers Johann Strauss junior and Josef Strauss, works as a cheeky contrast, Vaughan Williams’s ‘The Lark Ascending’, performed by Richard Tognetti, is a continuation of forms once championed by Beethoven: the pastoral form and romance for violin and orchestra.

Where Schubert worked within Beethoven’s string quartet model, George Crumb sought to break it apart 150 years later in ‘Black Angels’, written in 1970 as a response to the Vietnam War. ‘Black Angels’ created a new musical chapter, as will Anna Clyne’s new commission for strings, which will also show the ongoing connections to Beethoven in the early 21st century.
But there may be no better evidence of Beethoven’s enduring influence than the final number, his ‘Cavatina & Grosse Fuge’, the last major work he composed shortly before his death. Its presence serves to emphasise how contemporary Beethoven remains, resounding with perpetual modernity.

1770: MOZART ‘Mitridate: Overture’ 6′
1820: SCHUBERT ‘Quartettsatz’ (arr. strings) 10′
1870: JOHANN STRAUSS II ‘Pizzicato Polka’ 3′
1920: VAUGHAN WILLIAMS ‘The Lark Ascending’ 15′
1970: GEORGE CRUMB ‘Black Angels’ (arr. Tognetti) 19′
2020: ANNA CLYNE ‘New commission for strings – World Premiere’ 15′
BEETHOVEN ‘Cavatina & Grosse Fuge’ (arr. Tognetti) 24′

Cast & Creative Team

Director & Violin Richard Tognetti

Important Safety Information

We are committed to delivering safe & enjoyable performing arts experiences.

We are operating under guidelines from NSW Health, and this means some changes to how we do things.
These include:

  • Reduced audience capacities
  • Patrons’ seats separated from other groups by 2 empty seats either side
  • Increased distance between performers and the audience
  • Additional cleaning of theatres and disinfecting of foyer touch-points before, during and after performances
  • Hand sanitising stations throughout our venues.
  • Allocated seating and collection of patron contact details
  • Assisting patrons to maintain appropriate physical distancing throughout our venues.

When you visit, it is really important that you are feeling well, and prepared to adhere to the safety practices of our venues. If you’re unwell, please stay home and contact us about refund and exchange options.

We appreciate your understanding as we work to keep everyone safe, so that we can continue to bring great experiences to our community and #KeepLiveAlive.

Coming Up…